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The Musical America Worldwide audience voted for the innovators and here they are: women composers who mentor teenage girls to follow in their footsteps; opera company GM’s who are pushing the envelope and bringing in new audiences; a cellist who plays in neo-natal units; a conductor who leads choirs of homeless men and women; a pianist bringing back the pedal piano by commissioning new works for it; a competition in which everybody wins; a publicist who creates a press kit with origami cranes to promote a show called Their ideas and the courage to follow them through, no matter how off-the-wall, controversial, or otherwise out of the box, keep us moving forward, spur us on to stay creative and keep the field of performing arts vital and exciting.Your audiences are mobile and are using their devices before, during(!
After all, the proper use of artistic works is one of the bedrocks of the business as well as for fostering creativity.In a special feature article, we asked five top competitors about what they’ve learned, both as winners and losers, through their experiences."I always imagine myself being as nervous as possible and still playing well," said Austin Larson, winner of the International Horn Competition of America—just one nugget among many uncovered in our interviews.) and after performances, according to research in this Special Report.Is your mobile marketing, ticketing and programming meeting your customers' needs?